Cultural Science Journal

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Cultural Science Journal. A multi-disciplinary journal for the study of more-than-human culture.

For the journal, visit Sciendo platform.

Cultural Science Journal. A multi-disciplinary journal for the study of more-than-human culture.

Cultural Science Journal. A multi-disciplinary journal for the study of more-than-human culture.

For the journal, visit Sciendo platform.

Journal Subjects
Computer Sciences
Human-Machine Interaction
Cultural Studies
Cultural Theory
General Cultural Theory
Topics in Cultural Studies
Human-Animal Studies
Semiotics
Linguistics and Semiotics
Biosemiotics
Journal Subjects
Computer Sciences
Human-Machine
Interaction
Cultural Studies
Cultural Theory
General Cultural Theory
Topics in Cultural Studies
Human-Animal Studies
Semiotics
Linguistics and Semiotics
Biosemiotics
Journal Subjects
Computer Sciences
Human-Machine Interaction
Cultural
Studies
Cultural
Theory
General Cultural Theory
Topics in
Cultural Studies
Human-Animal Studies
Linguistics and Semiotics
Semiotics
Biosemiotics

About

A hallmark of human civilization has been to see ‘culture’ as a defining feature of humanity, epitomized in approaching the ‘humanities’ as the study of culture. Cultural Science: A multidisciplinary journal for the study of more-than-human culture radically breaks with this tradition and extends the domain of the study of culture beyond the human, both in the dimensions of multi-species and machine culture, and by considering all forms of cultural hybridization in a more-than human world.

 ‘Cultural Science’ investigates structures, interactions, and processes of cultural systems at all levels of analysis and scales of application. It approaches culture as a semiotic medium integrating creative processes in the biosphere, anthroposphere and technosphere as constitutive layers in the life of planet Earth.

‘Cultural Science’ promotes inter- and transdisciplinary methodological pluralism, reaching from the classical sciences such as biology or ecology to established approaches in the social sciences and the humanities and beyond, venturing into posthumanist alternatives that investigate more-than-human forms of cultural creativity, diffusion, and tradition. ‘Cultural science’ endorses theoretical innovations that stand in line with coevolutionary theories bridging the natural and the human sciences and with novel views on agency and materiality that pursue ontological unification of human and non-human domains of meaning. It encourages active dialogue with science and technology studies, evolutionary and institutional economics, cultural evolution studies, biosemiotics, complexity science, or network analysis, specifying the ‘uses of culture’ from personal meanings to planetary platforms and systems of meaning. In doing so, we assign a crucial role to culture as medium of more-than-human action meeting the existential challenges of the Anthropocene.

‘Cultural Science’ looks forward to publishing new work that may be critical, analytical and/or empirical, but is most often dialogical; interested in the production and translation of new ideas and knowledge, especially across perceived and disputed borders between systems, groups, and identities as well as academic disciplines.

Contributions to the journal transcend specialist topical foci while remaining on the firm ground of the respective disciplinary methodologies. Exemplary topical fields include:

  • The study of non-human cultures in the biosphere and the role of naturecultures in the interactions between humans and non- humans;
  • The role of digital media in the emergence of naturecultures;
  • Explorations of human cultural creativity mediating biosphere and technosphere.
  • Investigations into the emerging forms of cultural creativity of Artificial Intelligence.
  • Research on interspecies media of cultural expression, such as interspecies art and play.
  • New theoretical approaches to coevolution and cocreation of
    cultural media in the more-than-human world.

About

A hallmark of human civilization has been to see ‘culture’ as a defining feature of humanity, epitomized in approaching the ‘humanities’ as the study of culture. Cultural Science: A multidisciplinary journal for the study of more-than-human culture radically breaks with this tradition and extends the domain of the study of culture beyond the human, both in the dimensions of multi-species and machine culture, and by considering all forms of cultural hybridization in a more-than human world.

 ‘Cultural Science’ investigates structures, interactions, and processes of cultural systems at all levels of analysis and scales of application. It approaches culture as a semiotic medium integrating creative processes in the biosphere, anthroposphere and technosphere as constitutive layers in the life of planet Earth.

‘Cultural Science’ promotes inter- and transdisciplinary methodological pluralism, reaching from the classical sciences such as biology or ecology to established approaches in the social sciences and the humanities and beyond, venturing into posthumanist alternatives that investigate more-than-human forms of cultural creativity, diffusion, and tradition. ‘Cultural science’ endorses theoretical innovations that stand in line with coevolutionary theories bridging the natural and the human sciences and with novel views on agency and materiality that pursue ontological unification of human and non-human domains of meaning. It encourages active dialogue with science and technology studies, evolutionary and institutional economics, cultural evolution studies, biosemiotics, complexity science, or network analysis, specifying the ‘uses of culture’ from personal meanings to planetary platforms and systems of meaning. In doing so, we assign a crucial role to culture as medium of more-than-human action meeting the existential challenges of the Anthropocene.

‘Cultural Science’ looks forward to publishing new work that may be critical, analytical and/or empirical, but is most often dialogical; interested in the production and translation of new ideas and knowledge, especially across perceived and disputed borders between systems, groups, and identities as well as academic disciplines.

Contributions to the journal transcend specialist topical foci while remaining on the firm ground of the respective disciplinary methodologies. Exemplary topical fields include:

  • The study of non-human cultures in the biosphere and the role of naturecultures in the interactions between humans and non- humans;
  • The role of digital media in the emergence of naturecultures;
  • Explorations of human cultural creativity mediating biosphere and technosphere.
  • Investigations into the emerging forms of cultural creativity of Artificial Intelligence.
  • Research on interspecies media of cultural expression, such as interspecies art and play.
  • New theoretical approaches to coevolution and cocreation of
    cultural media in the more-than-human world.

About

A hallmark of human civilization has been to see ‘culture’ as a defining feature of humanity, epitomized in approaching the ‘humanities’ as the study of culture. Cultural Science: A multidisciplinary journal for the study of more-than-human culture radically breaks with this tradition and extends the domain of the study of culture beyond the human, both in the dimensions of multi-species and machine culture, and by considering all forms of cultural hybridization in a more-than human world.

 ‘Cultural Science’ investigates structures, interactions, and processes of cultural systems at all levels of analysis and scales of application. It approaches culture as a semiotic medium integrating creative processes in the biosphere, anthroposphere and technosphere as constitutive layers in the life of planet Earth.

‘Cultural Science’ promotes inter- and transdisciplinary methodological pluralism, reaching from the classical sciences such as biology or ecology to established approaches in the social sciences and the humanities and beyond, venturing into posthumanist alternatives that investigate more-than-human forms of cultural creativity, diffusion, and tradition. ‘Cultural science’ endorses theoretical innovations that stand in line with coevolutionary theories bridging the natural and the human sciences and with novel views on agency and materiality that pursue ontological unification of human and non-human domains of meaning. It encourages active dialogue with science and technology studies, evolutionary and institutional economics, cultural evolution studies, biosemiotics, complexity science, or network analysis, specifying the ‘uses of culture’ from personal meanings to planetary platforms and systems of meaning. In doing so, we assign a crucial role to culture as medium of more-than-human action meeting the existential challenges of the Anthropocene.

‘Cultural Science’ looks forward to publishing new work that may be critical, analytical and/or empirical, but is most often dialogical; interested in the production and translation of new ideas and knowledge, especially across perceived and disputed borders between systems, groups, and identities as well as academic disciplines.

Contributions to the journal transcend specialist topical foci while remaining on the firm ground of the respective disciplinary methodologies. Exemplary topical fields include:

  • The study of non-human cultures in the biosphere and the role of naturecultures in the interactions between humans and non- humans;
  • The role of digital media in the emergence of naturecultures;
  • Explorations of human cultural creativity mediating biosphere and technosphere.
  • Investigations into the emerging forms of cultural creativity of Artificial Intelligence.
  • Research on interspecies media of cultural expression, such as interspecies art and play.
  • New theoretical approaches to coevolution and cocreation of
    cultural media in the more-than-human world.
Publisher
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